Huge News

Hi all,

As of January 1, 2019, my editing service, The Inkwell Council, which is comprised of myself, my husband Ismael, and my sister-in-law Megan, will be merging with Craft Quest’s Maria Turead and Ari Augustine, to form a new powerhouse editing service. Our press release is below. We welcome and questions or comments you may have and hope that you’ll join us on this exciting adventure.


Writer friends! We have a very important announcement! 

As of January 1, 2019, The Inkwell Council and CraftQuest will be merging to form a new and improved CraftQuest! 

What does this mean for you? It means you have more choices for the optimum edit. 
When you visit CraftQuest’s website to request an edit, you can choose from five talented, high-demand editors. Each member of the CraftQuest team will have their own manuscript wishlist, so you can select the editor that best fits your story. Are you looking to edit a short story or a novel-length manuscript? We offer both. Select a first, second, and third choice editor to lower your wait time, or build a package of multiple editors for The Inkwell Council’s well-known critique style, in which the editors have the opportunity to discuss, and sometimes argue over, proposed changes to your manuscript. Need a query or synopsis edit? Need an aesthetic for inspiration? Need someone to Skype with you and hammer out the fine details of your manuscript? We offer those as well! All at competitive rates, so you don’t have to break the bank for a quality edit.

And if you’re wondering where The Inkwell Council’s monthly free three chapter edit lottery has gone, the answer is, it hasn’t gone anywhere! CraftQuest will continue to randomly select one manuscript per month to receive a free sample edit. CraftQuest’s video panels and short instructional videos will also continue in the new model.

All of this is provided by a tightly knit group of five experienced editors who love a good story–love to read them, write them, tell them, and edit them–and can’t wait to hear from you.

We hope you’ll join us on this journey. We can’t wait to see what great tales await. 

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Query Catastrophes

Hey all,

I’ve been sort of absent here on my blog, as I’ve been working on a massive post (possibly several) about my experience at a recent workshop. While I work on putting that all together, check out this amazing video I did with my fellow Craft Questers about Query Dos and Don’ts. Our special guest star was Literary Agent Kelly Petersen!

We had a great time and we think we covered a lot of important things. Check it out below.

Connecting the Dots of Plots

After a long August taking some time to repair myself and take stock of things (more on that later), I’ve returned with another CraftQuest video panel. Oh and hey! I’ve officially joined the CraftQuest team! So that’s some awesome news. And it’s just the beginning. I’m making some other moves, and I will discuss them as they begin to hopefully fall into place.

For now, check out the CraftQuest team as we discuss the important points of plot. And stay tuned for our next live panel on September 29th at 5PM EST, where we will discuss the essentials of editing with special guest star Jeni Chappelle. Enjoy!

How to Handle a Critique

Hi all!

Today I’m sitting in on Craft Quest’s YouTube page with a short video containing my 4 step rule for handling a critique. Check it out below, and be sure to join us live on Saturday at 5PM EST for a live panel on self-care for writers! Hope to see you then!

Book Review: Monsters of Verity by Victoria Schwab

It’s a funny cycle and it goes like this: I write a book. When marketing said book for potential agents, having comparison titles can be very helpful. I go looking for comp titles from comp title extraordinaire, Megan Manzano. She does it for me for free because she’s my husband’s little sister, and I spent hours when she was a kid playing pet shop with her stuffed animals, so she owes me. She does charge for the service as well, so you should check it out. The next step in the cycle is to read the books she recommends and make sure I agree and know what I’m talking about when an agent says, “what in particular did you think was similar to the book?” That would be a really bad moment to gape like a fish. Anyway, I read, I love, I gush to her in annoying ways via FB Messenger, and then I write one of these. The Monsters of Verity series by Victoria Schwab was recommended to me mostly based on tone, family politics, and monster battles, but I stayed for so much more.

This-Savage-Song-Victoria-Schwab

Book Summary: Below is the jacket copy for the first book of the duology, This Savage Song. I will not include a summary for Our Dark Duet, because that would be spoilery as all get out.


Kate Harker wants to be as ruthless as her father. After five years and six boarding schools, she’s finally going home to prove that she can be.

August Flynn wants to be human. But he isn’t. He’s a monster, one that can steal souls with a song. He’s one of the three most powerful monsters in a city overrun with them. His own father’s secret weapon.

Their city is divided.

Their city is crumbling.

Kate and August are the only two who see both sides, the only two who could do something.

But how do you decide to be a hero or a villain when it’s hard to tell which is which?

Corsai, Corsai, tooth and claw,
Shadow and bone will eat you raw.
Malchai, Malchai, sharp and sly,
Smile and bite and drink you dry.
Sunai, Sunai, eyes like coal,
Sing you a song and steal your soul.
Monsters, monsters, big and small,
They’re gonna come and eat you all.

What I enjoyed: I have to really stop and think about this, because on a knee jerk, I want to think I enjoyed everything, but I want to be more specific. This was definitely a novel that swept me up and through me through the dryer in the best possible way, so I’m still a little dizzy over it. Okay, deep breaths.

For starters, the characters–generally my favorite part of the book, I loved these characters. Kate was difficult to love, and at first you kind of loved to hate her, but by the end of her arc, I was blown away by her. She was a complex and truly wonderful character. August was a character I loved from the beginning, but his journey was a gripping ride, as he came to terms with who he was, what his role could be and what it should be. The villains ran the gamut between disturbing (the monsters) and oddly understandable and still disturbing (the human villains).

The mythology of this world was surprising and inventive. The monsters here are born of violent acts, meaning each act of brutal violence creates a monster. Dealing with your own demons is a big theme in this book. I was intrigued by the breakdown of differences between the monsters, and the creation of the war-divided city of Verity. I applauded her use of music as a way to draw forth a soul for devouring in the Sunai. This was a completely unique monster concept to me, and I loved the way this played out, especially in the end. The writing in itself is downright poetic. Like the music from August’s violin, it drags you in and holds you in its comforting lull or pulls you into pieces, depending on the moment.

The tone of the story was another lovely point. It was gritty and real and lived in. No punches pulled.

What I’d avoid:

There were a couple of things I didn’t love about the story, although they definitely weren’t as prevalent as the things I did. Schwab delivered a new and inventive world, and I understood that she wanted to leave some room for speculation, but there were a couple of threads I felt were left hanging. Things like “what happened to the US to create a city like Verity?” or “What happened to certain characters Kate and August weren’t able to maintain contact with?” just kind of never get answered, even though they felt like they would be. They aren’t integral to the plot, but it nagged me a little bit. Bigger questions, like “why are the Sunai SO DIFFERENT from other monsters, and from each other?” could have been purposely left open as something for the reader to suss out and theorize about, but I felt a few more clues would have been very much appreciated.

Would I recommend it:

I actually just did. I hope my husband is enjoying his audiobook of it right now! And I will continue to. I really enjoyed this story.

What can I learn from it:

I’ve been struggling with the bittersweet ending of one of my novels, wondering if I’d gone the right way with it. The Monsters of Verity series, along with its popularity, made me feel much better about this choice in my work. It also helped me trudge forward without fear in my latest work, which does have a gritty backdrop and a slightly selfish heroine. This story is a class in “Write what the story wants, the rest will fall in place” and I love that.

Despite my few tiny gripes, this series had me from the very first line and held me. And, it helpfully works as an addition to my list of comp titles. One of my favorite things about looking for comp titles is discovering new authors and new stories. Have any of you ready This Savage Song and Our Dark Duet? Any recommendations of similar books?

 

ICYMI: Craft Quest talks Character Building

If you want to learn more about the best ways to build a character, as well as hear an inordinate amount of cinnamon roll related discussion, check out the YouTube Live panel I participated in on Saturday on Craft Quest’s channel. The archived version is currently available. Craft Quest was created by Maria Tureaud and Ari Augustine, and Megan Manzano and I had a great time chatting with them. Tune in below.