Debunking Writing Myths

Hi all!

In case you missed it, this Saturday, the ladies of Craftquest and I took on all the bad writing advice you’ve been told. The archived video is available here:

Poor Ari. What is that thumbnail!

We hope you enjoy it!

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Dogs Can’t Meow: Why Even Fantasy Writers Need Research

As an editor, a writer, and a vocal member of the writing community, I hear a lot of strange rules that people make up about writing. As a matter of fact, our next CraftQuest discussion will be exactly about that (subscribe to our channel for updates)! One of my absolute favorite ones is this: If you’re writing fantasy, you don’t need to research. You’re writing about things that don’t exist in reality–why would you need to search for clues within reality? No. Just no. As a writer, you NEED to research. It’s a fundamental part of your work. And it doesn’t matter what you’re writing.

In real life, i.e. not your imaginary book land, there will always be things you don’t know. I know that the infamous “they” tell you to write what you know, but I’ve gotta tell you, if I wrote only what I know into every manuscript I work on, my work would be painfully boring. I’ve written about powered individuals who fight monsters. I’ve written about a girl who is best friends with Aphrodite. I’ve written about spiking your brother-in-law’s martini with coolant. I haven’t done a single one of these things, no matter how sorely tempted I’ve been. What have I done? I’ve been terrified for my life and I’ve been in chaotic situations. I’ve been friends with someone who wanted more for me, and I’ve been friends with someone who thought I should be something I was not. I’ve watched someone abuse someone I loved and wished for a way to free them from the neverending spiral of abuse.

So, how do you write about the things you do not know? You have to do research. You have to learn new things, understand different lifestyles, different histories. You have to dig deep. But what about fantasy and science fiction? You don’t have to do research for those, do you? I mean, they aren’t even real! Why would you need to research something when it’s all made up in your imagination?

Because the key to fiction is relatability. We enjoy books because we relate to their characters or their worlds on some intrinsic level. They reflect something about our world. Which means they have to, at least somewhat, feel similar to our world. On a planet where the physics are different? You have to justify that change. Create a world where someone is immortal? Why? How does their body work that is different from how ours do? You can’t just randomly have someone buried alive for a week and have them survive. You have to explain that they don’t need a whole helluva lot of food, water, and oxygen to survive. You can’t just have a dragon without wings fly through the sky. How does he stay up? Is some kind of magic at play? Without that, they wouldn’t be aerodynamic enough to swoop through the sky.

If your character rides a horse-like creature, you have to understand how to describe riding a horse and relate it back, because when we read, we base the adventures on our own somewhat similar experience. Your job, as a writer, is to come as close to capturing a relatable experience while still balancing that with the new and fantastical ways of the world you’ve created in a consistent fashion.

So how do you make sure your world feels relatable to your readers, even if you play with changing some of the rules? You take what you don’t already know and you…research it.

Habitually Yours

A Justine in her natural writing habitat.

When I was a kid, I had the wonderfully gross habit of chewing things. I was like a little rat. I chewed on pencils and pens until they would splinter. I would chew on bizarre things. I wouldn’t find out until way later that it was actually sensory seeking behavior—the product of a Sensory Processing Disorder I had, and have since inadvertently passed to my son (that’s the only way it even got diagnosed).

It’s a strange thing. I broke that chewing habit somehow long before I ever thought of having Logan, and yet somehow, he picked up the same habit. We’re struggling to break him from it now.

Habits, as it turns out, are strange and unpredictable things. Some are in our blood, our DNA, like my weird chewing habit. Some form accidentally, like the way you go to the store across the street for lunch, once, twice, and before you know it, we’re regulars. Some habits, the best habits, are the ones we form on purpose.

They say it takes twenty-one days for a habit to form. That kind of habit is a different brand. It starts with a commitment. You decide you’re going to create a habit and then you do it. That’s the intention of programs like NaNoWriMo. You write as much as you can for as many days in a row, and eventually you form a habit.

I used to have a fairly consistent writing habit. I wrote once a day, at least something. Lately, I have allowed that to drop. Life has been perpetually getting in the way of things, our editing business is keeping me in editing jobs (no complaints there), and I just haven’t been carving out the time to write.

That is about to change. For months, I’ve been agonizing about how to get myself started again. I have a few projects in mind, but none of them are jumping out more to me than the others. They all have their benefits, but I need to find which one is my next big project.

Last week, I received my second Scribbler box and it had a journal in it. It contained 300 Writing Prompts. It isn’t the first one I’ve had. The last time I used one it helped me get a handle on character. So, I’ve decided to restart my writing habit. As of this month, I will be writing at least a prompt a day. Each will be written in the voice of one of the characters I’ve been playing with. If I like them, I will post them here. If I don’t, it was worth the attempt.

And by the end of March, I hope to have figured out which voice I want to explore the most. Wish me luck, you guys. By April and Camp NaNoWriMo, I’m hoping to be back in the writing habit.

Scribbler!

I’ve been itching to try the Scribbler subscription box for writers since it was first released. But alas, there’s the issue of budget that never allowed me to sign up. May I take a moment to say “Yay Christmas Bonuses!” Because I get to share my very first Scribbler box with you!

So I intended to take pictures if each item, and my Logan knew it. Hence, we get pictures like this.

The first thing I spotted when I opened my Scribbler box was a near magnetized dry erase board. I used it immediately to write a love letter.

The author of the month this month was YA fantasy author Evelyn Skye, who had a short story in the Sucker Literary anthology I was promoting around here a few years ago. The book that accompanies this box is Circle of Shadows. It is her third book, an epic fantasy. The book includes a signed bookplate.

Not only is the book included, but there is also a separate pamphlet that offers an inside look at the editing process. She shows us a scene from Circle of Shadows that was cut in edits, and walks us through everything that has changed since, including a whole storyline that was cut.

Evelyn also wrote up a great collection of tips and tricks for writing fantasy—mainly focusing on building magic systems and how it figures into and impacts world building.

This sticker gives me life.

An invitation to an exclusive chat with Kristin Rens, Executive Editor at Balzer + Bray, was also included, but, as is always my luck, it lands on the day and (believe it or not) exact time of a seriously important doctor’s appointment, so I won’t be able to attend. 😦

There was a great little notebook with a sturdy cover, built for the kind of writer that writes on the go. You can work on the writing prompt they sent in that adorable little notebook.

And lastly, this warm scribbler beanie, perfect for the snowy weather I’ve been trudging through–as modeled by Logan.

So, what did I think of my first Scribbler box? I loved it! Just having a bunch of cute things that relate to my life as a writer, while also relating to my life loving YA novels is just perfect. I do wish the writing chat was something I could attend—for instance, not in the middle of a normal workday—but other than that, every single piece included is going to get a lot of use from me.

I can’t afford to do this every month, but I think there are more of these in my future.

To sign up for a Scribbler box, go here!

Resolving to Write

This weekend on CraftQuest’s monthly video, we discussed all the best tools and changes you can make to invest in your writing life in 2019. We call it our writing resolution. You can find our archived livestream below.

I had a lot to say about this topic. I couldn’t seem to shut up. 😉

The Meaning of Success

Recently, I’ve found myself saying things like “when I’m successful,” or “when I get where I need to be,” without thinking about what that actually means to me. The dawn of a new year is always good for making you take a step back from your life and forcing you to question those things that just seem like a given when we don’t evaluate them. One day, I’ll be successful. Except what does that even mean? To be successful? Turning it around in my head led me to understand that there is no real definition.

Success is self-defined. Only we can decide our own version of success and there are often many layers to be found there. So I decided to map out a few versions of what I considered to be my own personal meaning of success.

  1. The Semi-Successful Happy Place–In this version of what I consider to be success, I sell a few books for moderate deals. I continue to work my day job as a legal assistant, but the money from the books sales help me have something extra to spend on fun things to do. My son is happy, my husband is happy. Life is relatively the same, but people enjoy my books and I feel a sense of accomplishment. Logan grows up well and I continue to nurture the wonderful relationships I’ve built. I don’t have everything I want, but that’s okay. More to write about. And life keeps on trucking.
  2. All The Dreams–In this version, I sell a lot of books and I’m a prolific writer. I also get a load of editing business, and between the two incomes, it’s enough for me to leave my day job. I get to work from home with my writing and editing, and it gives me the freedom to be more involved in my son’s school life. I can participate in events at his school and be a more hands-on parent than my current arrangement allows me to be. I still continue to maintain the wonderful relationships I’ve built as well as new professional relationships that feed my soul. I get to travel some more and it feeds my writing material. Life is beautiful, but busy. And the beat goes on.
  3. The Best Case Scenario–Not only do I sell books, but I get super successful. There’s fanfiction about my books and weird merchandise and I’m almost a household name, at least among YA readers. I run a successful editing business because I love to help other writers, and money is no longer even remotely tight. My family lives comfortably, we get to travel, and we buy a house on a lake, with one next door for my best friend to live in. I have enough property for a couple of dogs (can’t do that in my apartment because of my allergies), and everyone I love is well taken care of. I make a good living doing what I absolutely love. Things really couldn’t be better.

I would honestly love every one of these scenarios. Hell, just part of some of these would make me feel successful. It’s not about achieving all of your goals, although that would be wonderful. It’s about hitting a landmark. Feeling like you’ve accomplished something.

Success is different for every person. You define it. As large or as small as you want to go.

So what does success means to you?