The Name Game

Based on a game I recently saw making the rounds, come join me while I spell out my name in fictional characters–and then tell you why I love them.

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Does anyone know which issue this appeared in? Anyone? I can’t remember!!! 😥

Jason Todd–aka the second Robin, as in Batman and Robin. Died, got better. Became The Red Hood.

Jason Todd is currently my favorite fictional character of everything, anywhere. Because we’re dealing with DC Comics here, and they don’t always do a good job of consistency in characterization, sometimes Jason isn’t written in the best light. And really, he’s kind of an asshole. An anti-hero in the truest sense, Jason Todd breaks Batman’s strictest rule–he kills to protect the people of Gotham. Having returned from death only to discover the man who beat him to death with a crowbar, The Joker, still lived, Jason decides that the only way to keep someone like that off the street is to kill them.

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Red Hood and The Outlaws, Vol. 2, No. 9

Sure, he veers into bad guy territory, like the time he tried to kill his successor for the Robin title, Tim Drake, but Jason is tormented by memories of his death, feelings of abandonment by Batman, and the fact that he was trained to be an assassin by The League of Assassins. He lost it for a while there. Now he’s stumbling through a redemption path fraught with questions of why he’s still here, and whether he really wants to be or not. It’s rough, it’s dark, and it’s a departure from the “yes, sir!” mentalities of Dick Grayson and Tim Drake’s earlier run.

Plus it’s just fun to see Jason struggle to reintegrate into his family, and try not to care about Bruce Wayne. It’s a compelling story arc. And we all know how I love those.

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Ursula, The Sea Witch–Does this one really need explanation? I mean, she’s the feared witch of the sea! She even makes King Triton nervous. She’s charismatic and charming, her big song and dance number is catchy as hell, she makes being an octopus look sexy and bawdy! The Little Mermaid really never stood a chance. I firmly believe that this was the beginning of me sympathizing with morally questionable characters, a trend that has followed me into adulthood. I mean, who didn’t wonder what Ursula did to lead Triton to banish her?

*Sings Poor Unfortunate Souls and saunters out of the room*

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Simon Lewis–For those of you who know nothing about The Mortal Instruments series by Cassandra Clare, Simon Lewis is the regular guy in the story. He starts out as the only human among a bunch of supernatural friends. Though a vampire bite in the first book turns him into a vampire, he still has a very human point of view on everything.

Anyone who knows me, knows I have a love/hate relationship with Clare and her series’, and while badass archer Alec Lightwood became my favorite character down the line, it was Simon and his acerbic, sardonic wit that pulled me into the story, even though I was flagging on it from the very beginning. Simon is the “you” in the story. He is your representation. The things you find odd are the thing he comments on. The things that are annoying are mocked by Simon. He is sweet, he is innocent to the world around him, and we all kind of root for him. In the end, though I won’t spoil you, his story ends up being at the heart of main character Clary’s journey.

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Tara Maclay–I really loved Seth Green as Oz on Buffy the Vampire Slayer, so I had a really hard time accepting Tara when she was initially written into canon. As far as I was concerned, he and Willow were meant to be, and here was this lady, flirting with Willow! Add to that the fact that I thought they were just queer baiting with the clear close relationship between Willow and Tara, and playing with Willow’s witchcraft dabbling with a metaphor to her dabbling in lesbianism, I actually hated the storyline in its first few weeks. But Tara grew on me as I came to realize that, while not a perfect storyteller or human being by any means, creator Joss Whedon did mostly right by this couple, making them an enduring relationship on the show, and a beautiful and inspiring character in her own right.

A child of abuse, Tara has a natural inclination toward magic, and is ridiculed by her family because of it. When she joins The Scooby Gang, she is quiet, shy, and initially, will only talk to Willow, fearing alienation by any who don’t dabble in magic. But by tackling crisis after crisis head on, and after being protected by Buffy, Willow, and their friends when her family comes to call, Tara grows into a strong, confident woman, who often plays a large role in the gang’s adventures. She becomes so confident, that she walks away when Willow, the love of her life, begins to use magic like a drug, only coming back when Willow is clean for a long time, despite her love for her. Though in the end, she dies (DAMMIT, JOSS!), her character’s loss is felt for the remaining season of the series, and is known as one of the most shocking moments of the series.

And yes, I am aware she comes back to life or something in the comic books after the show, but I refused to accept those as canon the moment I realized they made Dawn into a giant for mostly no good reason. The comic books are deader than Tara to me. Sorry not sorry.

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Original Art by BoffieXD at Deviant Art

Inej Ghafa–The Wraith! The Spider of Ketterdam! As one of the ragtag group of criminals that makes up the six in Leah Bardugo’s Six of Crows, Inej has a background that, though tragic, strengthens her. As the team’s intelligence gatherer, Inej uses her past as an acrobat to help her survive in the crime-ridden city of Ketterdam. Initially she is kidnapped from her life as an acrobat and forced into a life as a sex slave. She is coded as being of middle eastern dissent, and she is brought to a pleasure house called “The Menagerie” for her “exotic looks”. Not content to be used in such a way, she uses her stealth to provide information for a future crime boss, and quickly comes under his protection. She makes herself invaluable to him, and plans to use the money the Six make on their criminal exploits to pursue her dreams of ridding the world of the slave trade.

Gotta love a woman who turns things around to her advantage. Even when she’s falling in love with said future crime boss Kaz Brekker (who is another character study for another time…there is no K in my name, darn it), she always has a clear mind to his faults and refuses to weaken herself for him. Definitely an inspirational character.

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Nadia Stafford–She’s an assassin with a heart of gold. The lead character in the Nadia Stafford series by my favorite author, Kelley Armstrong, Nadia appears cute and unassuming. She’s the girl next door, but she’s hiding a gun under her jacket and won’t hesitate to kill in self-defense. There’s something appealing about that. *scratches chin* Can’t imagine why…

After the murder of her cousin when she’s young, Nadia becomes a police officer like the rest of her family. A trained sniper and so, a badass with a gun, Nadia goes off the rails when she fails to get a kid killer imprisoned…so she kills him herself. Publicly. Shunned by her family and fired from her police work, Nadia follows her dreams and starts a wilderness retreat…which she can’t seem to keep afloat financially. But her brand of vigilante justice catches the interest of a mob boss that needs bad guys taken care of…the rest is history.

By turning her childhood trauma into life as a vigilante assassin, Nadia is able to overcome what happened to her cousin, and unravel the mystery of what happened to her that fateful night. Despite her tendency toward specialty jobs, Nadia makes herself a name in the hitman world, a world usually dominated by strong arms or sexuality, without using any of those things.

And she also catches the interest of a man with somewhat less morals, but a willingness to turn things around…for the right woman.

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Ender Wiggin–Though the Ender’s Game series of novels have been somewhat soured by Orson Scott Card and his 1) BLATANT and RAMPANT hate for the LGBTQ+ community; and 2) Card’s tendency to write relationships between the siblings in the stories that smacks of incest, Ender’s Game was my favorite novel for quite a long time.

Bred into a family of high intelligence in hopes that he will become the future of the battle against a breed of alien that threatens to destroy the Earth, Ender grows up in a family that nurtures and accepts him. All except his bully of an older brother, Peter, who tortures him to the point of traumatizing him.

When Ender is sent off to battle school, he is forced to prove himself among other rather exceptional children, most of which view him as a threat. Ender quickly learns that the only way to stop an attacker is to make sure they can’t come back at you again, and begins to fight with a brutal precision. While he works and eventually leads in surgical, deadly strikes, he also has an endless well of compassion and respect for life–a fact that eventually tears him apart when faced with the repercussions of his actions. However, it is this compassion that leads the calculating Ender into hero status, and helps him understand the alien threat.

So, that’s my name in characters I love. A common thread I have noticed is a hard edge, intelligence, cunning, and a willingness to overcome all obstacles. I tend to lead toward complex characters who are sometimes difficult to love, though not all of them fall into that category. The largest common thread I’ve discovered is that these characters are easy to respect. Either way, all of which are characters you should get to know…but if you’re as disgusted by Ender’s author as I am, only read Card if someone is throwing away his books…then toss them in a dumpster fire when you’re done. The others you can safely pursue through normal methods, I promise.

 

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Kick Ass Girls of YA ~ Jacklyn Madison


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I was invited by my friend, Libby Heily, and her publisher, Fire and Ice YA Books, to participate in their Kick Ass Girls of YA Blog Hop. For this Blog Hop, I was encouraged to discuss a YA character close to my heart, either already existing, or one I’ve created. Having already discussed my love for Buffy the Vampire Slayer in previous blog posts, I figured it was a good time to introduce my own character, Jacklyn Madison, the main character of the manuscript I’m querying to agents as we speak, The Order of the Key.

Why is Jacklyn a kick ass girl? Well, for one, she kicks ass. Literally. After accidentally unlocking her long dormant Aegis, Jacklyn discovers she is a Body Key with supernatural strength, speed, senses, and healing. The leaders of the Order of the Key capitalize on her abilities by teaching her how to fight the inter-dimensional monsters they are sworn to defeat. Jacklyn quickly takes to her new superhero lifestyle and becomes a valuable member of her new group. Not only that, but she makes the group her own, working to make it a better place for everyone involved.

Self-esteem? Jacklyn’s got it, despite having been a geek with a bully problem. She’s an athlete, and her mother works nonstop, so she’s largely responsible for her younger brother and sister. Who has time to worry about what the kids at school think? She’s got things to do. And it’s not a problem anyway, because Jacklyn isn’t just tough, she’s fast-witted and sharp-tongued and she doesn’t intend to suffer any of your crap.

OK Media Pitch 1With all of this, what really makes her strong is her compassion. Jacklyn is torn by the fact that she must kill to protect humanity from inter-dimensionals. Not only that, but she quickly realizes she might have to kill members of the Order to protect the people she loves. Her younger brother and sister are her world, and she would do anything to help them grow into productive members of society, let alone to protect them.

Jacklyn Madison is kick ass, but not perfect. She’s got a temper. She’s prideful. She struggles to trust. And she can sometimes hide behind a good quip.

That’s why I love her. She possesses what I look for in all of my kick ass heroines–strength, but also humanity.

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If you’d like to know more about me, Jacklyn Madison and The Order of the Key, follow my blog or sign up for my mailing list, here.

To visit all the other blogs in the blog hop today, click here for a complete list. And for the chance to win some great books from Fire and Ice YA, click here to enter their Rafflecopter.

Buffy Turns 20: What BtVS and Joss Taught Me About Writing

 

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Just a portion of my Buffy Bookcase

Twenty years ago today, my then-boyfriend/now-husband Ismael tried to get me to watch the first episode of a new show premiering on= the struggling WB network called Buffy the Vampire Slayer. I rolled my eyes at him. He had strange taste in television and, while I loved vampires, I had never felt compelled to see the movie. I just had no interest in it. Even after that day, Ismael kept pushing. No, the series was really good. It took him by surprise. It would take me until a year later to try an episode. That episode would be the two-parter, Surprise and Innocence, more popularly known as the episode where Buffy and Angel make love and Angel turns evil. I am not being hyperbolic–I wasn’t the same person after that. Buffy the Vampire Slayer changed my life, it changed how I saw myself and who I was as a person. It motivated me and informed who I am as an artist.

 

So, as a love letter to a series I can still recite the dialogue for, I’m going to discuss the top ways Buffy changed my writing and my life. Note – Spoilers ABOUND. If you haven’t watched…just watch the show. Seriously?

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  1. Lexicons Change…Muchly. The sarcasm. The snark. The strange turn of words. I still refer to people as bitca. I’ll add ish to turn verbs into adjectives and age to nouns to make them verbs. If there’s something to be said, I’ll ‘pop culture’ it up. I abbreviate words that don’t have abbreviation. I give emotions place names, like Waah Waah Land. I reorder words to sentences in odd ways. Pathetic much? Probably, but I started this show when I was fifteen and deciding who I was going to be. Was I intending to be Buffy and The Scooby Gang? Not so much. But it found its way in and I can’t help going for some serious quirkage when I’m feeling chattish. Don’t be afraid to play with language, as long as your audience can understand you.

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2. Risk-Taking Pays Off. When my boyfriend was busy bugging me about the series, he was very interested in the fact that the principal of the school was eaten in episode six. Seriously, it was his main selling point. I didn’t get it until they turned Buffy’s love interest evil in season 2…and kept him that way for the rest of the season. This show would do anything, and even when it hurt, I loved it. Joss Whedon, the series’ now well-known creator once said, “Don’t give people what they want, give them what they need.” And he did, solidly, for seven seasons. He disappointed us, but then he gave us great narrative reasons why our sadness was necessary. And Joss’ commitment to risk wasn’t just about risking his characters–it was about risking his reputation. He managed to craft and direct very risky episodes such as Hush, an episode with only 17 minutes of dialogue, The Body, an episode entirely about the strange and detached feeling of losing a loved one, and Once More, With Feeling, otherwise known as The Buffy Musical. All very risky, all paid off nicely. Taking creative risks with your work keeps it interesting.

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3. Happy Sadness is Okay. There are episodes of this series that make me laugh out loud and cry real tears. They make me worry for the characters, and they make me cringe in embarrassment. As a teenager, Buffy taught me that the confusion of my emotions was not strange. It was just life. Life can be twisty. As an artist, it taught me that genre isn’t a real thing in art. I mean, if you want to sell it, you need to know what genre it best fills. But when you’re writing it? Write the thing. Art is about portraying our journey in a way that makes sense to us. And our journeys aren’t romances or coming of age stories. They certainly aren’t comedies or dramas. They are all those things. Well, for some of us, they may not be a Western, but you get my point. Be free. Worry about labels later.

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4. Success Does Not Come Without Clunkers. The Puppet Show. Ted. Most of Season 7…Oops. Some of the series wasn’t spectacular. There were episodes that I can only barely stand to rewatch when I do my rewatches. Which is proof positive that not everything you do is going to land with an audience. And that’s okay. BtVS is still judged as a whole and your body of work will likely be, as well. That doesn’t mean they’re all bad. Some really good lines from the series come from The Puppet Show, Season 7 led up to a spectacular ending, and Ted…well…Ted had John Ritter! So, even your missteps can yield positive results.

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5. POV is Important. The Zeppo follows sidekick Xander through a day in which he stumbles blindly through a relatively minor issue while his friends deal with some world ending cataclysm we know nothing about. You know why? Because we’re with Xander and, frankly, he has no time for this Hellmouth thing. Superstar throws you into a world where Jonathan, a relatively minor recurring character, is suddenly a star, right down to getting placement in the title credits. In the Season 5 episode Buffy vs. Dracula, Dawn, a little sister we have never met thus far, just pops up, and we’re expected to accept it. She’s been planted there and the memories of the world has been altered to include her, but we don’t find that out until later. For now, we’re just surfing through the story, trying to figure out what is going on, and it adds a sense of mystery and foreboding we wouldn’t get if we knew everything. Point of view can make or break your story. Use wisely for best results.

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6. People CHANGE. Sometimes they change slightly, sometimes they are affected by something that completely and irrevocably alters the fabric of who they are. But the most important thing is that people evolve. I’m not who I was when I started watching Buffy. Buffy was much more mature, but also more dark inside, when she finished the series. Willow was stronger and wiser. Xander was more sober and careful. Dawn was less whiny. Giles was less up tight. Anya learned to care. Tara became confident. Angel and Spike repented for their wrongs. Faith went from tragic headcase to true hero. Cordelia became a higher being and Oz became a werewolf zen master. Your characters have to be altered when they finish their journey, or else what is the point?

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7. Know When to Hold Back. Joss Whedon and the writing team didn’t know what they were scripting when they created Earshot. In Earshot, an encounter with a demon gives Buffy mind-reading abilities, which lead to her overhearing a plot to kill all the students in her high school. It was scheduled to air in April 1999. And then, a week before the episode was to air, the Columbine High School Massacre happened. A freak moment of accidental prescience. Whedon and the network hurriedly pulled it off the airwaves because escapism isn’t fun once it isn’t escapism anymore. In that vein, artistically we should pay attention to when our work may be insensitive or cruel and be sure to yank that back. Art should not be used as a sword to harm.

A more artistic example of knowing when to hold back is evident in The Body. While the series had always been for mixing laughter and tears, for this episode, there is no laughter to be had. It is forty minutes of grueling sadness because it is so truthful, in a way that art should be truthful. Examining the emotions of the main characters after Buffy returns home to find her mother dead, The Body soars as an episode that doesn’t have half of the well-known Buffy style, because it can’t. Even vampire slaying because a numb, necessary event happening despite the main focus. Despite its sense of humor, Buffy knew when to take itself seriously.

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8. Even People You Love Can Be Unlikeable. This one, I REALLY needed in my private life. The lesson was very strongly learned through the richness of characters in the Buffy Universe. I hated every character at some point. In Season 1, when Angel is all cryptic before disappearing, Batman-style, or when Cordelia doesn’t get that Buffy is cool, even when she saves her ass. In Season 2, when Xander decides it’s cool to make the entire female population of Sunnydale fall in love with him by magic and later doesn’t bother to tell Buffy that Willow is trying to re-ensoul Angel. In Season 3, when Willow and Xander cheat on Oz and Cordelia or when Buffy lets loose with Faith. In Season 4, when Buffy seems to forget about her friends or when Riley does ANYTHING. In Season 5, when Dawn whines incessantly or when Xander tries to convince Buffy to try to love Riley even though he betrayed her. In Season 6, when Willow gets addicted to magic and lies to Tara and when Buffy plays around with being a reckless idiot. In Season 7, when Buffy keeps screwing up, then making self-righteous speeches. Make your characters human. Make them flawed. We’ll love them all the more.

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9. Make Things Relatable. So, you’re fighting a war against a hellmouth full of demons? Make it feel more like high school, so your audience can relate, since most of us…MOST of us…have never went to war against a hellmouth full of demons. Even with the craziest twists our stories take, we should never leave them out of our audience’s reach. Ground them to reality and make them that much more powerful. And speaking of powerful…

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10. Who Run The World? WEIRDOS. Nothing showed me how to let my geeker flag fly like Buffy did. As I watched the characters in the series grow more powerful, and also as I watched Joss Whedon, a self-proclaimed geek, become more successful, I truly understood that the things that kept me from fitting in are also the things that make me interesting, that make my work unique. Embrace the weirdness. You’ll be stronger for it.

Finally, I want to thank Buffy the Vampire Slayer, the cast, the crew, the writers, and Joss Whedon for creating a show that taught me so much and guided who I would become. And also, thank you to my husband, whose incessant nagging (I say this lovingly) led me to become an even bigger fan than he was. If you’re a writer and you haven’t watched this series, you need to check it out. As silly as it sounds on the surface, it truly is a television masterpiece.

My Take: Team Urban or Team Epic?

 

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Hi all,

Today is the final day of Entangled Teen’s Team Urban vs. Team Epic Fantasy Promotion, and in honor of the conversations of this week, I would like to elaborate on a statement.

Earlier this week, I clearly declared what side I was on. Now I’m going to tell you why.

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I have always loved fantasy novels of any kind. A popular theme here on the blog is that I like weird stuff. I like to read it, I like to watch it, I like to write it. So I enjoy most stories in which something out of the ordinary occurs. Fantasy was a natural interest for a person like me.

There is nothing wrong with epic fantasy. There is a beauty to the pure inventiveness, the creations of entirely new worlds, languages, people. For the early part of my childhood, I was raised on fairy tales, C.S. Lewis, and J.R.R. Tolkien. My father even had a Tolkien calendar. My favorite video game was The Legend of Zelda, and if that isn’t an epic fantasy loving gamer’s dream, no game is.

But at some point, things shifted. As I grew up, I became exposed to television series like Buffy the Vampire Slayer and it touched me in a way no other series, or anything else for that matter, ever had. I was absorbed, completely moved. I fell in love with these characters, saw myself in them, saw myself in their weekly trials. I tried to decide which one I was more like. It didn’t matter if they were dealing with real life troubles, the monster of the week or some deep seated evil that spanned seasons. They felt more real to me.

The reason for that is that they were grounded in my reality. I could see myself going to school and having to deal with my principal as I snuck out to fight a demon. I could see myself sacrificing my social life to devote my life to something bigger. And somehow, those metaphors for life that were present in every fantasy novel struck a chord within me. Suddenly, I saw the challenges in my world as monsters to be defeated, the lessons to be learned as my spell book.

And ever since then, I found myself leaning towards Urban Fantasy, because if Buffy was a book, that’s exactly what it would be. I still love Epic Fantasy, but not with the ferocity with which I devour stories about real people dealing with their supernatural problems in concert with real world troubles. Killing monsters while dodging police. Hiding magical abilities from their parents. Having nobody believe them about who they are. Coming to terms with the strange in such a normal society.

I’d take a thousand magical societies hidden in plain sight over a dragon flying over head any day.


Thank you for hanging out with me for Entangled Teen’s Team Urban vs. Team Epic Promotional Event! Don’t forget to enter the giveaway and check out all of the books we discussed this week!

I’ll be back next week to discuss the difference between outlining a short story and a novel. See you then!

 

Inspiration

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Inspiration is such a strange and essential force for an author, and we need to pull it from wherever we can find it. For me, inspiration can be like a patchwork quilt, a line from a song, a character from a book, a writing style, and a plot idea can come together and be woven into an original idea.

For The Order of the Key, the first seed came from watching Buffy the Vampire Slayer. The series was the first time I’d ever seen a television show that crossed genres, styles, and attitudes. Buffy could be funny in one episode and tragic in the next. Sometimes it was horror, sometimes it was paranormal. Sometimes it was episodic, sometimes it was arc-based. I loved the way the series mixed it up, and I saw that as a powerful way to tell a story. Life can be all of those things, and it’s fun to shine a light on that. So when I dealt with the new characters I was forming in my head, I tried not to conform them to one specific style, and let them just be people – which led to my Contemporary Fantasy, which has elements of horror, elements of comedy, elements of romance.

Now, I had never read a book that behaved the way Buffy did as a television series. And I also had fears of giving my characters flaws. I was concerned about making them far too unlikeable. And then I read The Otherworld series by Kelley Armstrong. Reading Kelley’s books gave me both the courage to build unique systems of supernatural characters and to build complex characters with gray areas. I thought I always needed the good guys to be stalwart and true or I’d risk their likeability. Ms. Armstrong soundly corrected me.

The members of the Order are all trained at an Estate that doubles as a school and a living space. If I said anything but X-Men inspired me, I’d be lying.

The Hunger Games trilogy by Suzanne Collins inspired me to explore the harsh realities of war. The Chaos Walking trilogy by Patrick Ness and The Curious Incident of the Dog in the Nighttime inspired me to take chances with the voice of the narration. My lead character, Jacklyn, has a very unique point of view, and we get the story from her. It never had the same magic when I tried to tell it third person.

I’m sure there are other things that linked together to create the idea for The Order of the Key. I can think of many times where I’d hear a turn of phrase, the lyrics of a song, or met a person that made me want to write something down. As artists, we spend our entire life fed ideas and inspiration, we internalize that, and when we’re ready to create something ourselves, these ideas mix together to create something truly unique. I hope you enjoy my unique creation.

Where do you find inspiration?

September Links

Welcome to another edition of stuff from around the web!

My husband’s birthday passed this week, so let’s all say a big happy birthday before we begin.  HAPPY BIRTHDAY!

So, what’s new on the web?  Let’s start here – my good friend Rana, who I met through Buffy-Boards.com, a Whedon themed message board, just posted a guest blog at The Happy Herbivore.  She took a challenge to go one month eating only from her pantry – which I think is crazy, but she makes it work!  Read about the adventure here.

Do you remember my discussion of revision in the blog post, Too Close for Comfort? This blog post on Positive Writer hits the nail right on the head when it comes to my feelings when revising that story.

This article says it better than I have – this is how I find time to write between a full time job and being a mommy.

This New York Times article is about one of my pet peeves, which I also share with my writer/hubby Ismael – don’t ask me what I’m writing about!  I can’t give you a well-formed answer!  It’s impossible!

An article that mixes writing, fandom, and one of my son’s favorite things?  Yes please! 

Check out this interesting new company, creating audio tales and earning money for literacy.

If you’ve ever wondered what revisions of a book feel like from start to finish, my favorite author, Kelley Armstrong, has got you covered in this fascinating play by play on her tumblr blog.  For updates to this step by step edit of book 2 of her Cainsville series, stay tuned to kelleyarmstrong.tumblr.com.  And, if you like mysteries with a bit of supernatural involved, check out the first book, Omens, which is already available for purchase.  I’m already flipping out waiting for the next installment.

Ready to start querying agents?  Here’s a collection of advice from literary agents on how to get published.

Here’s a little ditty on writing Sci-Fi and Fantasy.  The first question and answer involve something I discuss with people all the time.  Many people consider it impossible to complain that science fiction and fantasy are unrealistic, because isn’t that what they’re supposed to be?  But the truth is Sci-Fi and Fantasy can be unrealistic – if you don’t follow your own rules.  As a speculative fiction writer, you set up your own rules for your environment and you can’t later break them without a damn good reason.  Something as simple as being consistent in the rules of your world can bring realism to a novel about three-headed space goons from Snorg.  If all Snorgs are three headed, that two-headed one had better have a reason for being there that is better than, “Oh, I forgot Snorgs were supposed to be three-headed,” and it has to show.

And on that Snorg-filled note, I bid you adieu until the end of this month, when we will discuss politics and public image. See you then!

Write Like a Fangirl

I was a fangirl before I knew anything about fandom. As early as I can remember, I would take an aspect of entertainment and fixate on it, imagining opportunities for stories that had yet to be told. If my favorite couple didn’t exchange a loving glance, my little girl heart would ache for them. I think that thirst for more than the story proper was what honed my writer’s curiosity.

I’ve discussed my fangirl status before here, but that topic was mainly about what fandom was able to teach me about how to view writing, how it gave me a better understanding of storytelling in general and how it helped me to comprehend myself as a “writer”. But another aspect of how fandom affects my writing is that I’m beginning to see my stories the way potential fans may – and I’m having a lot of fun with it.

Ships ahoy!: I am a Daniel/Vala shipper. Oh, and John/Aeryn. And Angel/Fred, Katniss/Peeta, Jamie/Jeremy, Derek/Chloe, Magnus/Alec, and Tris/Four. What the hell does this mean? It means that I am a fan of that particular relationship. Being a shipper means writing 100 pages of fanfiction about how Daniel and Vala should have gotten together. It means throwing things at my TV when the series ends with John and Aeryn being blown to bits (THANK THE HEAVENS FOR FARSCAPE: PEACEKEEPER WARS!). It means you quote the things they say to each other, scramble to find more about their relationship, squee when they get together and die when they break apart. When you’ve got a more unconventional ship, you eat up all interactions they share like they are tiny bits of candy from the heavens. When Fred kissed Angel to hide him from Jasmine’s followers, the squeak that came out of my mouth could’ve broken glass.

This love for relationships and enough time in fandom has taught me to spot even the most odd (or crackiest, as we fandom people say) potential for ships. If I can spot them in my own story, that means that I can try to give something to each of those potential sections of the fandom for my stories – something that will hook them in. I don’t rewrite stories for that purpose or anything, but if I see the opportunity to have two characters interact, I work it into the tale. And I’m hoping this helps add a richness I wouldn’t have otherwise achieved.

Canon vs Fanon: My sister, Megan, is also a fangirl. Allow me to give you a peek into a recent conversation between us.

Me: Rereading Order and I mentioned this part that took place way before the actual story. I wished I could have told it. So I wrote it as a side short story.

Megan: Awesome. Isn’t that, like, the third time you’ve done that?

Me: Fourth.

Megan: LOL – You write your own fanfiction.

Me: LMAO – I would not have thought of it that way. What if I write all of the fanfiction and there’s no more fanfiction left to write? Don’t you love how I assume I’m going to have this crazy fandom?

Megan: LOL – You will! But seriously – you think fandom will run out of stories to write about anything? Trust me, you have not thought about all possible stories. Someone’s gonna come out of nowhere and write the crackiest of all AU [alternate universe] fics out there. Just wait.

Fandom is an interesting place. As a writer, you create a world, and you think you know the ins and outs of it. That is the Canon story. But Fandom digs out some obscure quote that you made in the beginning of Chapter 3 of your 1st book and creates something that gives it so much more meaning. This is Fanon. And suddenly, you want to see what was going on during that one line throwaway where two of your characters were off doing something other than the main plot.

Being a fangirl has helped me to see little instances where I can write outside of the box, little moments that I may not be able to flesh out through the course of the main story, but should I ever have a use for them, my little side shorts are there, waiting to see publication, who knows where. Even if they never see the light of day, that story I wrote about the moment Kyp is abandoned by his father figure, the tale of how good friends Austin and Zane met, that story of why a character betrayed their best friend – they inform the main story. I’ve found myself making edits in the main tale because of things I revealed to myself about my characters in these little backstory exercises.

In that way, writing your own fanfiction can help. Maybe one day, if the series gets successful, I’ll publish an anthology of these. Or, maybe, one day, I’ll pretend I’m more successful than I am by sadly publishing these as fanfiction, pretending I’m somebody else. Can you see it now? “Look! I have a fandom! That Jennine Mantaro keeps writing fanfiction of my work!”

Enthusiasm: The key aspect of being a fangirl is enthusiasm about the work. The best thing you can use when writing like a fan, would be to approach all of your work with a deliberate enthusiasm. Be excited! Know what your characters would think in any situation. Picture them in your head. Build stories of adventures they go on even when they aren’t worth writing about. Create fanmixes, then decide why each song reminds you of your characters or your world. Immerse yourself in your story, the way a true fan immerses themselves in what they love.

I pray my enthusiasm for my stories will be contagious. Will yours?